Lo spazio della galleria della Factory Berlin diventa un campo dinamico di coordinate che il dialogo tra le opere presentate, attivate da interventi che vi si inscrivono sotto forma di azioni e processi in corso, dispiegano e rendono visibili, sviluppandone alcuni aspetti.
L’artista è presente e al lavoro per i 22 giorni della mostra.
Il finissage del 14 aprile alle 19.00 coincide quindi con l’ora di completamento del progetto.
Specturm
Rete Mirabilis è un videocollage in slow motion che riporta e scandisce i tempi di otturazione di una Nikon F nell’obbiettivo della quale si intravede il volo di una farfalla ripreso anch’esso in slowmotion.
L’audio del video al centro dello spazio della galleria della Factory Berlin scandisce il tempo delle azioni in corso.
F4 _Rete Mirabilis 2007 digital video collage 1 minuito 52 secondi
Spectrum 2006 1 acrilico su tela 175 x 190 cm
” Frequenze del colore a misurare la distanza tra le lunghezze d’onda della memoria, in un territorio, quello della pittura di accadimenti sovrapposti, sedimenti e falle. Nello spazio tra un onda e l´altra e all´interno di questa, tutto lo spettro del movimento di un battito d’ali di farfalla, e la vibrazione di questo lungo una corda di pianoforte, a sezionare sponde di gesti che affiorano sulla tastiera del visibile.”
intermezzo (sonata in bianco e nero) – veduta dell’installazione 26.03.07 – fogli di carta A4
Vite
Grande matrice1 e 2 2007 carta millimetrata trasparente montata su telaio (120 x 300 ) x 2
Vite 2007 acrilico su tela 300 x 200 cm
Rgb
Un indagine sul tessuto dello spazio, riportare la pelle alla sua trama di coordinate colore. Una risma di fogli A4 di carte millimetrate di tonalita’ di rosa diverse nella quale incido sottraendone delle porzioni.
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– sat:0.663 – val:0.396 – nm:590 – hz: 174.614 – key:33 (‘F’, 3) 176×244 = hue:181 – sat:0.268 – val:0.482 – nm:548 – hz: 349.228 – key:45 (‘F’, 4) 252×245 = hue:015 – sat:0.620 – val:0.651 – nm:687 – hz: 32.703 – key:04 (‘C’, 1) 337×244 = hue:222 – sat:0.154 – val:0.890 – nm:514 – hz: 622.254 – key:55 (‘D#/Eb’, 5) 395×254 = hue:357 – sat:1.000 – val:0.675 – nm:401 – hz: 4186.010 – key:88 (‘C’, 8) dsc09819 copia.jpg 062×038 = hue:132 – sat:0.982 – val:0.431 – nm:589 – hz: 174.614 – key:33 (‘F’, 3) 118×033 = hue:356 – sat:0.363 – val:0.529 – nm:403 – hz: 4186.010 – key:88 (‘C’, 8) 184×030 = hue:037 – sat:0.808 – val:0.714 – nm:669 – hz: 46.249 – key:10 (‘F#/Gb’, 1) 250×024 = hue:064 – sat:0.531 – val:0.702 – nm:646 – hz: 65.406 – key:16 (‘C’, 2) 316×028 = hue:225 – sat:0.181 – val:0.824 – nm:511 – hz: 659.255 – key:56 (‘E’, 5) 376×032 = hue:130 – sat:0.696 – val:0.271 – nm:591 – hz: 164.814 – key:32 (‘E’, 3) 055×104 = hue:220 – sat:0.224 – val:0.804 – nm:516 – hz: 587.330 – key:54 (‘D’, 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val:0.600 – nm:419 – hz: 3135.960 – key:83 (‘G’, 7) 102×083 = hue:096 – sat:0.447 – val:0.737 – nm:619 – hz: 103.826 – key:24 (‘G#/Ab’, 2) 173×077 = hue:136 – sat:0.988 – val:0.667 – nm:586 – hz: 184.997 – key:34 (‘F#/Gb’, 3) 246×079 = hue:039 – sat:0.804 – val:0.839 – nm:667 – hz: 46.249 – key:10 (‘F#/Gb’, 1) 309×073 = hue:216 – sat:0.725 – val:0.957 – nm:519 – hz: 587.330 – key:54 (‘D’, 5) 379×077 = hue:125 – sat:0.670 – val:0.345 – nm:595 – hz: 155.563 – key:31 (‘D#/Eb’, 3) 040×160 = hue:200 – sat:0.963 – val:0.643 – nm:532 – hz: 466.164 – key:50 (‘A#/Bb’, 4) 111×159 = hue:180 – sat:0.297 – val:0.396 – nm:550 – hz: 349.228 – key:45 (‘F’, 4) 175×159 = hue:359 – sat:0.816 – val:0.769 – nm:400 – hz: 4186.010 – key:88 (‘C’, 8) 260×161 = hue:222 – sat:0.150 – val:0.918 – nm:514 – hz: 622.254 – key:55 (‘D#/Eb’, 5) 308×158 = hue:069 – sat:0.278 – val:0.847 – nm:641 – hz: 73.416 – key:18 (‘D’, 2) 371×151 = hue:222 – sat:0.156 – val:0.878 – nm:514 – hz: 622.254 – key:55 (‘D#/Eb’, 5) 043×249 = hue:277 – sat:0.715 – val:0.620 – nm:468 – hz: 1318.510 – key:68 (‘E’, 6) 123×260 = hue:221 – sat:0.176 – val:0.847 – nm:515 – hz: 622.254 – key:55 (‘D#/Eb’, 5) 174×253 = hue:002 – sat:0.305 – val:0.643 – nm:698 – hz: 27.500 – key:01 (‘A’, 0) 244×257 = hue:138 – sat:0.653 – val:0.745 – nm:584 – hz: 184.997 – key:34 (‘F#/Gb’, 3) 315×250 = hue:335 – sat:0.228 – val:0.706 – nm:420 – hz: 2959.960 – key:82 (‘F#/Gb’, 7) 377×257 = hue:023 – sat:0.995 – val:0.737 – nm:680 – hz: 36.708 – key:06 (‘D’, 1) 050×306 = hue:019 – sat:1.000 – val:0.635 – nm:683 – hz: 34.648 – key:05 (‘C#/Db’, 1) 112×310 = hue:217 – sat:0.797 – val:0.812 – nm:518 – hz: 587.330 – key:54 (‘D’, 5) 176×311 = hue:216 – sat:0.214 – val:0.808 – nm:519 – hz: 587.330 – key:54 (‘D’, 5) 244×311 = hue:200 – sat:0.723 – val:0.808 – nm:533 – hz: 440.000 – key:49 (‘A’, 4) 318×312 = hue:228 – sat:0.333 – val:0.059 – nm:510 – hz: 659.255 – key:56 (‘E’, 5) 385×313 = hue:218 – sat:0.238 – val:0.659 – nm:517 – hz: 587.330 – key:54 (‘D’, 5) dsc09825 copia.jpg 044×033 = hue:218 – sat:0.260 – val:0.514 – nm:517 – hz: 587.330 – key:54 (‘D’, 5) 126×027 = hue:017 – sat:0.994 – val:0.694 – nm:685 – hz: 34.648 – key:05 (‘C#/Db’, 1) 186×026 = hue:207 – sat:0.993 – val:0.596 – nm:527 – hz: 493.883 – key:51 (‘B’, 4) 257×025 = hue:252 – sat:0.357 – val:0.055 – nm:490 – hz: 932.328 – key:62 (‘A#/Bb’, 5) 319×024 = hue:036 – sat:0.925 – val:0.733 – nm:669 – hz: 43.654 – key:09 (‘F’, 1) 384×021 = hue:330 – sat:0.261 – val:0.616 – nm:424 – hz: 2793.830 – key:81 (‘F’, 7) 043×089 = hue:220 – sat:0.201 – val:0.702 – nm:516 – hz: 587.330 – key:54 (‘D’, 5) 120×095 = hue:178 – sat:0.330 – val:0.369 – nm:551 – hz: 329.628 – key:44 (‘E’, 4) 189×096 = hue:126 – sat:0.720 – val:0.322 – nm:594 – hz: 155.563 – key:31 (‘D#/Eb’, 3) 255×095 = hue:197 – sat:0.657 – val:0.788 – nm:535 – hz: 440.000 – key:49 (‘A’, 4) 330×099 = hue:000 – sat:0.995 – val:0.733 – nm:699 – hz: 27.500 – key:01 (‘A’, 0) 397×103 = hue:138 – sat:0.644 – val:0.706 – nm:584 – hz: 184.997 – key:34 (‘F#/Gb’, 3) 050×179 = hue:223 – sat:0.197 – val:0.737 – nm:513 – hz: 622.254 – key:55 (‘D#/Eb’, 5) 116×178 = hue:274 – sat:0.446 – val:0.800 – nm:470 – hz: 1318.510 – key:68 (‘E’, 6) 185×176 = hue:067 – sat:0.474 – val:0.827 – nm:644 – hz: 69.296 – key:17 (‘C#/Db’, 2) 270×182 = hue:220 – sat:0.146 – val:0.914 – nm:516 – hz: 587.330 – key:54 (‘D’, 5) 320×178 = hue:252 – sat:0.749 – val:0.812 – nm:490 – hz: 932.328 – key:62 (‘A#/Bb’, 5) 392×182 = hue:006 – sat:0.314 – val:0.624 – nm:695 – hz: 29.135 – key:02 (‘A#/Bb’, 0) 055×264 = hue:321 – sat:0.339 – val:0.427 – nm:432 – hz: 2489.020 – key:79 (‘D#/Eb’, 7) 120×271 = hue:217 – sat:0.192 – val:0.918 – nm:518 – hz: 587.330 – key:54 (‘D’, 5) 186×267 = hue:333 – sat:0.202 – val:0.796 – nm:421 – hz: 2959.960 – key:82 (‘F#/Gb’, 7) 259×266 = hue:180 – sat:0.237 – val:0.447 – nm:550 – hz: 349.228 – key:45 (‘F’, 4) 327×269 = hue:013 – sat:0.695 – val:0.592 – nm:688 – hz: 32.703 – key:04 (‘C’, 1) 410×274 = hue:218 – sat:0.200 – val:0.706 – nm:518 – hz: 587.330 – key:54 (‘D’, 5) 062×318 = hue:333 – sat:0.156 – val:0.576 – nm:421 – hz: 2959.960 – key:82 (‘F#/Gb’, 7) 118×318 = hue:100 – sat:0.414 – val:0.729 – nm:616 – hz: 110.000 – key:25 (‘A’, 2) 201×317 = hue:134 – sat:0.929 – val:0.663 – nm:587 – hz: 174.614 – key:33 (‘F’, 3) 269×318 = hue:039 – sat:0.764 – val:0.780 – nm:667 – hz: 46.249 – key:10 (‘F#/Gb’, 1) 334×318 = hue:215 – sat:0.793 – val:0.871 – nm:520 – hz: 554.365 – key:53 (‘C#/Db’, 5) 404×314 = hue:121 – sat:0.776 – val:0.192 – nm:598 – hz: 146.832 – key:30 (‘D’, 3)
walking frequencies
I colori di Walking_skin tradotti in frequenze e poi in suoni vengono interpretati con il Theremin* seguendo il percorso segnato.
*Theremin il più antico strumento musicale elettronico conosciuto che non preveda il contatto fisico dell’esecutore con lo strumento. e si basa su oscillatori che, lavorando in isofrequenza al di fuori dello spettro udibile, producono, per alterazioni delle loro caratteristiche a seguito della presenza delle mani del musicista nel campo d’onda, dei suoni sul principio fisico del battimento, questa volta nel campo delle frequenze udibili.
Carbon Black (Coldstore)
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Block Two
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